‘Embarking on the Impossible’ employs the legend of the third lost column of San Marco as a metaphor for seeing and seeking the projections of the collective imaginary.
As an artistic endeavour blending with an archeological enterprise the ‘Impossible’ aims to discuss – among others– the objectives of the scientific drive. Being aware that ambitious findings might reveal as untruth, the ‘Impossible’ states that the vision quest is the only experiential condition to be considered as ‘real’.